What is the ODIN weapon used Mortal Engines' 'Infernal Devices'?

Sunday, November 15, 2020
ODIN firing in mortal engines

The Orbital Defence Initiative (known as ODIN) is an orbital satellite weapon that was engaged during the life-ending Sixty Minute War that scorched Earth and turned into an apocalyptic land, desolate and dead, save for a few land masses.

The ODIN  device is featured in the third and fourth books in Philip Reeve's Hungry Cities Quartet, Infernal Devices and A Darkling Plain.

ODIN was constructed during the arms race between the American Empire and Greater China.

It and the MEDUSA device are the only super weapons known to have survived until the final events of the series, although there are several references to other orbital superweapons in the books (for example the Diamond Bat, Jinju 14, and the Nine Sisters).

Have you ever played the video game Gears of War and used the Hammer of Dawn? The ODIN is exactly like that but is able to do vastly more damage. And in that sense Call of Duty also employed a system with the same name.

If you wanted to compare it to a real-world initiative, Ronald Regan's infamous Strategic Defense Initiative programme is your reference point. That programme was often derided and compared to as Star Wars though, so there's that.

ODIN is more powerful than the MEDUSA and is able to hit almost any target on the surface of the Earth. Reeve's novel implies that ODIN was an American satellite as the code for controlling the satellite was discovered on American submarine.

How does the ODIN weapon work?


ODIN is an energy weapon which converts the energy of a small nuclear weapon into a directed beam of incinerating energy (a weapon concept similar to the Strategic Defense Initiative's Project Excalibur).

This has the power to destroy entire cities (both traction and static) and can cause volcanic eruptions if targeted at the right spot.

Its beam can be seen from very long distances away.

Oddly, it seems to interfere with the mechanical minds of Stalkers. Only Shrike's Old-Tech Stalker brain has the mettle to withstand this, although he goes into a fit-like state and it is hinted he is saved by Dr Oenone Zero. Anna Fang is unaffected's Striker is also conveniently. All other Stalkers whoever lose their power when it is engaged.

How did the codes for ODIN come from a submarine?


The 'Tin Book' is a codebook for controlling ODIN. It was originally found and copied from a US Military document recovered by the refugees of the original Anchorage from a submarine,

In terms of the book's plot, it is stolen by the Lost Boys and, later, Brighton. It then falls into the hands of the Stalker Fang, who memorises its contents and then leaves it to be destroyed on Cloud 9.

If you want the rest of what happens with the weapon, read the books!

Is the ODIN satellite system self aware?


If you've seen the odd Terminator movie you could be forgiven for wondering about some loose parallels between the Skynet computer system that overtook the world in Terminator and the ODIN device.

This is because ODIN appears to indicate signs of intelligence.

When it is rebooted, it queries its new position and briefly searches for its old masters, and notes the vast difference in geography since its last awakening.

It can also zoom onto an individual's face on the Earth although the picture is grainy.

It can change its orbit when directed to target all over the globe.

This, as well as the Stalker minds found among old-tech (and Shrike) seems to suggest that robots had, by the time of the Sixty Minute War, achieved sentience.

However, I reckon you could make an argument that some of those tricks are merely a computer system following programming commands and boot up procedures.

Mortal Engines is not Mad Max, it's just mad, Max.

Friday, August 7, 2020
Did you enjoy the new Mad Max movie teaser that came out last week?

It had a giant city chasing a smaller, traction city?

The new one directed by Christian Rivers?

Well, according to so many people on Twitter, the new Mortal Engines is a bit like Mad Max 3.

And therefore is 'discount Mad Max' or 'it literally looks like such a rip of mad max'.

I presume this in in reference to Fury Road, which was a fabulous movie and a sumptuous CGI delight of trucks and cars trying to crush one another.

That said:

The Mad Max I know is a biker gang terrorizing Max's family.

The Mad Max I know is a gang led by a flamboyant gentleman called Humongous.

The Mad Max I know is all about a pig killer.

The Mad Max I know is about a one armed truck driver who can kick it with the worst of them.

These are great movies, all visionary in various ways.

They are not about giant cities that roam the Earth looking for resources.

And they certainly do not look like what we saw in the Mortal Engines teaser trailer.

But so many people seem to have commented that it is.

We honestly wonder why this is?

If they are referring to Mad Max Fury Road, this is Mad Max Fury Road:


Which frankly reminds me of this guy from Rogue One:


Sure there's a big chase going in Fury Road and there's one going on in Mortal Engines, so that must be it right?

Well if anything, that teaser is basically a remix mix of the opening 2 minutes of one of the greatest scientific films of all time, Star Wars.

You recall how that goes right? A giant massive Star Destroyer rolls down the screen and it takes what seems like forever to show the scale of the thing. We then see it is actually chasing a small ship. Which it eventually captures and draws into itself.

Which is basically the teaser!

So instead of saying Mortal Engines looks like Max Max, would it be better to bitch and gripe that it rips off the start of Star Wars?

The truth is that for most people of a certain age (young twitter users who comment on movie trailers) Mad Max Fury Road is possibly their only reference point to a post-apocalyptic event movie.

I'd wager most of them have not seen the original Max Max trilogy for a start. They've probably never scene, The Road, The Postman, THX 1138, The Book of Eli, Water World, Escape from New York, 12 Monkeys, The Quiet Earth, Zardoz, Cherry 2000, Judge Dredd (Stallone version) or Planet of the Apes.

One could argue that Mortal Engines looks a lot like some of those movies. 

Or Not.

I passed comment on Twitter about this matter as any rapid fan boy that is hugely protective of THEIR story is wont to do so:.

And none other than the writer of the novels, Philip Reeve chipped in with his views.



We still don't see but hey, if the book's author gets it, maybe I should just chill out and get back to over-thinking the fact that Hester Shaw has two eyes... or wondering about Howl's Moving Castle.....

We hope the movie is more 'Helm's Deep on wheels'.....

Anyways Christian Rivers has specifically said "We didn't want it to be post-apocalyptic dystopia," director Rivers told us. "So, we didn't want it to be 'Mad Max.' We didn't want it to be 'Hunger Games' or 'Divergent.' That's kind of a bleak, dystopian sort of film, you know? It needed to tie to our world."

And if you want to read without a sense of irony (?) Philip Reeve actually wrote up a review of Mad Max: Fury Road !!

We're also amused to see that Junkie XL, who did the Mad Max score, is composing the same for ME.

Never trust Google (or this site for that matter....)

Tuesday, July 28, 2020
If you google search 'Mortal Engines Sequel' you get this interesting snippet result:

Now to be fair, Predator's Gold is indeed the second novel that follows Philip Reeve's original works however, that bit about the film sequel is totally an April Fool's joke that just will not die

Given no one knows you're a dog on the internet, it's safe to say you should never trust what Google tells you...

What does Stanisław Lem have to do with Mortal Engines?

Saturday, April 18, 2020
stanislem law's book mortal engines
When I was searching for information about Philip Reeve's novel Mortal Engines, I kept coming across a book of the same name by Stannislaw Lem.

I generally ignored it until the other night I was thinking about the Steven Soderbergh, film version of Solaris and I realised that the author of the book that the movie was inspired by, was the same as the other Mortal Engines book.

It turns out that Lem's book Mortal Engines is a collection of his works that is also known as Fables for Robots.

The context of the stories is the fables are from the point of view of a universe populated by robots.

And therein gives rise to the book title and the use of the words from Shakespeare's Othello from which Reeve was inspired to use for his first novel:

"And O you mortal engines whose rude throats / Th'immortal Jove's dread clamors counterfeit..."

Law's book title uses a double meaning in the context the engines are literally the robots and describing the finite nature of humans of whom the tales are told - much the same how Reeve's also uses the double meaning of the mortality of humans and the giant traction engines cities.

↠ The first line of Mortal Engines was inspired by the novel '1984'

Wednesday, January 1, 2020
pencil sketch of London City in Mortal Engines

I had an idea on the possible inspiration the first line of the Mortal Engines novel and asked the author Philio Reeve about it and eventually got a surprising answer!

Update Two:

Philip Reeve followed up again to my question with an awesome thought:

"I guess it's really based (though not consciously) on the opening line of 1984 (It was a..cold day in April & the clocks were striking 13')."



I read 1984 in one sitting the first time I read it and I will never forget the last line where the character is happy for he 'loves Big Brother' but could I remember the first line? No, and it turns out to be amazingly clever.

Big thanks to Mr Reeve for being so forthcoming!

Update One:

I asked the author himself and with a single word he shot down my theory! I love how in the modern world, I can create a fan theory and then hours later, Mr Reeve kindly shoots it down!


Original piece:

Here's the first sentence of the novel Mortal Engines:

It was a dark, blustery afternoon in spring, and the city of London was chasing a small mining town across the dried-out bed of the old North Sea.


When I first read it, it was immediately captivated. I'd heard the novel was about giant mechanical cities and some kind of 'Mad Max style' adventure for kids but I had no idea of what the book was really about. This line was brilliant as it pulls the reader into exactly was is happening, to whom and gives a sense of time in that the North Sea has dried out.

What happened there? Philip Reeve has got me hooked with the first line. That hasn't happened I don't think since I read Cormac McCarthy's The Road.

Great stuff.

But the line seemed immediately familiar to me, as if I'd read it before.

And then the other week at work, we did the daily quiz that comes with the newspaper. It's a team thing we do each day. It's great fun.

But to my point, one of the questions was, what is the famous opening line of  Edward Bulwer-Lytton's novel Paul Clifford?

I took a stab in the dark and said "it was a dark and stormy night" and I was right!

Kind of.

Curious I looked up the book and saw this was the whole famous opening sentence:

"It was a dark and stormy night; the rain fell in torrents — except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness."


Purple prose indeed.

And then it struck me. And, as if you didn't already perhaps know yourself - I realized it's VERY similar to Reeve's line in Mortal Engines. Did Reeve borrow it for inspiration?

Let's break it down:

ME: "It was a dark, blustery afternoon in spring"
Paul Clifford: "It was a dark and stormy night"

Well, the first four letters are the same and the sentence is describing the weather. So it's fair to wonder if Reeve was inspired by this line which has become such a cliche that this writer can use it to correctly guess a quiz answer!

Philip Reeve does plenty of name dropping and puns and references in his books, so it's with no real surprise he's cleverly done this but if you're not convinced, re-read the words again. The subject of each sentence is the city of London!

Now, this is just a theory I have. I can't find any discussion about this idea on the internet anywhere, so it's just an idea.

It's a shame that this line probably won't be used in the actual movie. Unless there's a narrator who explains what's going on we will most likely only be treated to the visual version of London city chasing some hapless prey.

I personally can't wait to see how the city looks.

I think given it's gonna be up there on silver screen with Peter Jackson's name attached it's going to have to be HUGE, way bigger than it's usually depicted in fan art - the perspective will need to be established quite well.

Fun Fact: Edward Bulwer-Lytton also coined the phrase "the pen is mightier than the sword" which is funny because if any one had asked I would have said it was Shakespeare. Speaking of the Great Bard, it blew my mind when I learned  that Shakespeare used the words 'mortal engines' in Othello....

City of London drawing care of Callum Gillies


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